Over the past fifteen years the deconstructionist wave has made architecture more popular, but at the same time has produced a degeneration of language that seems to be irreversible. We have been spectators and architects of a total dissolution of the fundamental codes of our discipline. New buildings proliferate in the globalized world without any figurative limitations, while the transition from traditional geometry to noography has opened new horizons. If it is true that we have lost control of what we draw, does it still make sense to talk about form? This book is a reflection around the meaning of this term, its relationship with the concept of the physical body of architecture, between content and objective, and its role within the perimeter of our craft